“Balancing Act” is my Photo of the Week.
© Bruce Stambaugh 2019
I spotted this scene while traveling along a West Virginia highway. I had to stop to get the photo. I loved all the textures, the various shades of red, and the lines in this shot. The farmer’s patriotism showed through by painting his version of the American flag on an old wooden pallet.
In honor of Presidents Day (Feb. 19), which combines Abraham Lincoln’s birthday (Feb. 12) and George Washington’s birthday (Feb. 22), “Patriotic Repurposing” is my Photo of the Week.
© Bruce Stambaugh 2018
Sunny days or cloudy, high tide or low, the ever-changing elements of a walk on an oceanfront beach stir my senses and imagination. I try to keep a sharp eye out for the unusual. When I spotted these etchings in the sand, I saw a cross-section of roots reaching deep into fertile soil far below the floor of a magnificent forest.
In reality, these markings are nothing more than the tracings of pebbles and shells first being washed upon the shore and then just as quickly drawn back into the sea by its never-ending motion. They still looked like tree roots to me.
“Roots” is my Photo of the Week.
© Bruce Stambaugh 2018
Maybe I’m trying too hard. But I loved the way this tree’s shadow fell to the little forest of nearby blazing saplings, forming a false crown for the now-naked tree.
“Artificial Tree” is my Photo of the Week.
© Bruce Stambaugh 2017
I’ve always enjoyed finding objects in my photographs that I didn’t know where there until I viewed the shots on my computer. This photo is the perfect example.
The original focus of this capture was the striation effect created by the blooming sunflower heads, the tassels of the ripening field corn, and the rows of cumulus clouds on a late summer’s day. However, upon closer inspection, I found what appears to be someone’s lost hat hanging on a stalk of a sunflower in the foreground. It’s a tradition of this Old Order Mennonite farmer to allow folks to freely harvest as many sunflowers as they wish from this five-acre field. A little box is nailed to a utility pole for donations, which are given to a local charity.
I surmise that someone lost the hat while picking sunflowers and another kind person found it, placed it where it could be seen if the owner came looking for it.
“Striations and one lost hat” is my Photo of the Week.
© Bruce Stambaugh 2017
By Bruce Stambaugh
My late mother was very creative. She expressed it so many ways in the long life that she led. She did so through her versatility as a woman, a wife, a mother, a sister, an aunt, a daughter, and an artist.
When Mom died five years ago, Alzheimer’s disease had removed her far from the woman I remember as a youngster and as an adult son. Her eyes no longer had that sparkle of awareness of the beauty she had seen in everyday life, the joy she recreated in her vibrant landscape and still life paintings.
Those paintings reflected her very being and the beauty she brought to life. Mom painted hundreds, perhaps thousands of renderings, mostly watercolors. But many of those paintings were left unfinished.
Mom was a perfectionist when it came to her paintings. If she felt she couldn’t get it right, she left the picture partially finished, hidden away. Going through her things, the family found stacks of incomplete paintings. To others, the paintings looked fine. Mom only saw the flaws.
Mom was too self-critical when it came to her paintings. She felt they just didn’t measure up to the works of her peers. The attitude of Mom’s dominating father perhaps influenced that lack of confidence at a young age. Mom wanted to go to art school. Instead, she was sent to business school to help her prepare for a job should one be needed.
In those pre-World War II days, women were to work until they married and then raise any and all children that came along. That’s just the way it was, and in many respects, still is in today’s global society.
Our father, himself a controlling man in his own right, saw both Mom’s physical comeliness and the beauty within. He loved almost to a fault this kind, generous, creative woman who was our mother. And he saw her talent in recreating the beauty all around her through her early drawings and paintings.
Dad must have also sensed Mom’s lack of confidence in revealing this creative side. So Dad encouraged Mom to take private painting lessons given by established, prominent artists, and at the Canton Art Institute.
Thanks to her cohorts and mentors, Mom painted prolifically. Using mostly the medium of watercolor, her still life and landscape scenes were usually vivid, real, inspiring, eye-catching.
Again prodded by Dad, Mom entered art contests. She did so reluctantly, but also successfully. Mom won several awards, including the Peoples’ Choice Award on more than one occasion. Mom modestly accepted the accolades.
Mom’s creativity extended beyond brush and easel. She dressed splendidly but not opulently. She couldn’t afford to do that if she had wanted. Mom simply made do with the wardrobe she had.
Stylish wouldn’t begin to describe my mother. Even late in her battle with Alzheimer’s, Mom continued to dress herself, always in a color-coordinated outfit. Residents and staff at the retirement community where she lived her last days often complimented Mom on her stunning look. In her typical modesty, Mom just smiled or returned a pleasant “thank you.”
Mom’s creativity remains alive through her realistic paintings and in our pleasant memories of her loving motherhood. More than that, the artistic genes of her children, grandchildren, and great-grandchildren will continue to contribute to life’s magnificence in various means, manner, and places.
Mom’s passion for painting taught us all to appreciate our surroundings, look for the beauty in everything, and generously share that splendor. That is Marian Stambaugh’s legacy of creativity.
© Bruce Stambaugh 2017
There is no place I’d rather be this time of year than the local produce auction. I find its sights, sounds, smells, colors, textures, excitement, energy, people, and the variety of produce invigorating and inspiring. This box of mixed gourds is exemplary of that.
To me, they are much more than a cardboard container of seasonal produce. The various sizes, shapes, colors, and kinds represent all that is right about the farmers’ auction. The sale provides a means of income for growers, most of whom are Amish families. Young children to teens to adults help with the gardening throughout the planting, growing, and harvesting processes. The buyers, a mix of Amish, English, and representatives from large grocery stores, purchase boxes, crates, flats, and pallets of produce to be resold at roadside stands or offered in local supermarkets. Local restaurants and residents even buy food items for their customer and family meals.
The buyers and workers at the auction are also a mix of folks from near and far, some Amish, most not. Just like these gourds, some colorful characters are among them, too. That’s a subject for another time.
“Gourds galore” is my Photo of the Week.
© Bruce Stambaugh 2016
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