I love photography. It keeps me alert for the extraordinary while doing the ordinary. In this case, I was with my wife, her cousin, and her husband, all septuagenarians.
We get together every so often about halfway between our home in Virginia’s lovely Shenandoah Valley and their abode in central North Carolina. Lynchburg is a handy place to meet up, a two-hour drive for each of us.
We like many of the same activities, like playing cards, dominoes, antiques, and birding. We also enjoy casual strolls along city streets and well-marked biking and hiking paths. Lynchburg offers plenty of both.
Since we are not out to set any speed records on our walks, I can wander ahead and find the unusual among the usual rural or urban landscapes. Occasionally, I charge ahead too fast, and the others call me back to see what they have found. Together, we discover much to appreciate, ponder, and enjoy.
Take our most recent excursion, for example. Lynchburg is a city of hills and valleys, with a rich history, old buildings, waterways, sidewalks, cobblestone alleys, and lazy trails often following the winding creeks and the James River. One trail even had an old railroad tunnel, now lighted for bikers and hikers. The city is a paradise for photographers.
We came upon curious subjects to photograph every path we took. Along a creekside trail, we found this textured object. Any guesses? A tire? An alligator’s back? No to both. There’s a hint in the photo.
This is the closeup of an old fallen tree. The trunk was rotting away while its life-protective bark remained.
Not all photographic opportunities were so secretive. Still, using your imagination is critical. This old snag has stood the test of time, and the elements of four seasons have weathered into a once-living art object. Does anyone else conjure an owl flapping its right wing?
Speaking of living, this diminutive plant waved its once-green leaves red for the holiday season that is upon us. It is a volunteer burning bush, likely deposited by a seed-eating bird. There was no missing the bright color among all the trail-side leaf litter.
A short distance away, a competitor vied for attention. This sugar maple sapling shown like the sun on this dismal day. It made us all chuckle.
Not everything was so obvious, however. This photo has a complex combination of both natural and human-made actions.
Any idea what this abstract consists of? Look close. What’s on the left side? You are halfway home if you said a rock outcropping leached with calcium-laden groundwater. The right section is an old drainpipe. Some wannabe artists eliminated the plain rusty look by adding some pretty red and blue with a meaning. Those colors covered up some previous graffiti in faded white.
That pipe was a hint for us. The city lay just around the corner. We soon found this intriguing old set of double doors in a two-story brick building, likely once a warehouse during the railroad’s heyday. It faced the James River. The nearby trail was once a rail line.
A few steps away was a nearly block-long mosaic timeline of the history of Lynchburg. The blight of slavery was front and center. It’s an incredible piece of artwork often blocked by parked cars. This photo shows the intricate detail needed to tell the town’s story. I couldn’t imagine the time and effort it took to create this masterpiece.
We headed to the Amtrak train station away from Old Town. The building was magnificently reconstructed and expanded to hold city offices that had nothing to do with trains. We had a look around and came across some interesting finds.
An old luggage hand cart parked against the sturdy brick building caught my eye. No longer used, it can’t help but take train passengers and visitors back in time.
Across the street, an abandoned building seemed frozen in time. Dozens of solar bobbleheads danced behind a window in the late autumn sun. It was a curious collection that seemed abandoned, left to survive without human help.
This wasn’t our first rendezvous in Lynchburg with our friends. Given all there is to do, see, and photograph, it won’t be our last.
© Bruce Stambaugh 2023
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