I enjoy the progression of a sunset as much as the finale itself. I usually try to arrive well ahead of time, but I occasionally slip up. Like last Saturday, which was a busy one for us, I had settled in to watch a college football game.
I glanced out the front window, which faces north, and noticed a pinkish tinge in the broken clouds to the north. I grabbed my cameras and headed for one of my favorite sunset spots, Silver Lake in the burg of Dayton, Virginia.
A layer of clouds was slowly moving southeast, opening the western sky to the setting sun. The chances for a decent sunset seemed bright. The sun had already dropped below the rippling horizon of the Allegheny Mountains that mark the western boundary of Virginia and West Virginia.
Still, the sky was bright where the sun had disappeared. Areas north and south of that spot showed warmer colors. The shallow lake was its usual calm self, broken only by a few patches of lily pads, seaweed, and miscellaneous debris.
The reflections on the water doubled the beauty. At the south end is the old mill, which now houses a lovely quilt museum. Across the narrow country road stands an old white-washed farmstead, its barn duplicated on the quiet water.
The road turns west around an Old Order Mennonite family’s red brick home, and continues up the hill to another farm, where it bends due north across the ridge. The staggared trees along its edge provide a perspective of depth to each photo.
The road disappears over the hill and behind the old white farmhouse at the lake’s northwest corner. The house and outbuildings, all mirrored on the water, serve as icons in scores of photographs of the landmark lake.
As minutes pass, the tones of the sky grow deeper orange and red as they tint the underbellies of the clouds and brighten the water’s surface. The western sky turns golden with ruby crowns, all reflected on Silver Lake.
Every hilltop object, animate and inanimate, becomes a row of silhouettes against the blazing background. As if brushed by an artist, the clouds display an autumn color palette of browns, grays, and oranges with patches of reds and pinks, their twins staring back at them.
As if on cue, three mallards take flight, their calls seemingly celebrating the day’s glorious ending. Silver Lake never looked prettier.
© Bruce Stambaugh 2025
Roadkill Crossing 
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