Unpacking boxes and memories

The kind of field my father hunted for artifacts.

After three years, my wife and I have finally unpacked all of the boxes since we moved from Ohio’s Amish country to Virginia. It’s another coronavirus sequestering accomplishment that we can check off our “to-do” list.

We weren’t negligent or procrastinating. We knew what those heavy cardboard boxes contained. We just didn’t have a place to display or properly store them. Now that they are unpacked, we still don’t.

My late father divided his extensive Native American artifact collection among his offspring and the grandchildren. He designated who got what primarily based on geography.

Dad marked where he found each artifact he considered “good.” Consequently, Neva and I ended up with the majority of the ones discovered in Holmes County, Ohio, and those from near my wife’s home farm east of Louisville, Ohio.

How Dad marked his finds.

I can’t tell you how many plowed fields Dad and those of us who joined him walked. With heads down and separated six-feet apart, we ambled one end of the field to the other. Yes, we socially distanced before it was even a thing. Doing so allowed us to cover an area more efficiently.

Dad delved deep into historic Native American cultures. His love for history and the near half-century he spent collecting made him a noted amateur archeologist.

As his knowledge and collection grew, Dad began to share what he learned and what he had found. He joined archeology groups. Professional archeologists even invited Dad to join digs to save Indian encampments that would be destroyed for various construction projects or by strip mining.

Dad even spent his lunchtimes on lovely days looking for surface finds near his workplace in Akron, Ohio. When his job required travel, Dad scoured fields in Arizona, California, and many other states.

Dad accompanied our mother on artists retreats to North Carolina. While the artists painted, Dad visited local farmers to inquire about hunting their fields.

The landowners often showed him what they had already found, and Dad would gladly identify and date the points and pottery shards for the farmers. For that, he gained access to their land, made new friends, and expanded his collection.

Our artist mother would occasionally return the favor by accompanying Dad on a dig. One of her paintings graced the book cover that documented one significant excavation.

Dad lecturing at the retirement home.

Dad lectured at schools, church meetings, service organizations, presented at historical society gatherings, and at the retirement home where he died. He even won a few awards for his displays at archeology shows.

I found one of Dad’s notecards that he used in his presentations. It was an impressive list of how indigenous peoples used natural renewable resources. Dad shared how the Indians used the entire animal that they had killed. They ate the meat, fashioned clothing and shelter from hides, and used bones for tools.

Ironically, Dad privately questioned why Native Americans, as intuitive and ingenious as they were, didn’t develop the country the way European immigrants did. With his Germanic linage, I sensed it was a rhetorical question.

I found it curious, even disconcerting that Dad admired and taught about a people and their cultures, and yet he didn’t comprehend their devotion to preserving the environment they so cherished. Nor did he address the horrendous treatment of indigenous peoples that even continues today. In retrospect, I should have pressed my father on those issues.

Marian and Dick Stambaugh. One of my mother’s paintings is on the wall behind her.
I loved my father, and I love that he bequeathed so many of his artifacts to the family. For me, they serve as tangible reminders to universally respect all peoples, no matter their color or creeds, then and now.

© Bruce Stambaugh 2020